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Wilhelmina, in Reverie

“Wilhelmina, in Reverie” (Oil on gessoboard, 11″x14″)

Above is a scan of the finish of “Wilhelmina, in Reverie.” I learned a lot while working on this painting. I’ve been using walnut oil as a medium for the past few paintings instead of liquin, which is a medium I have always liked and have used for years. I wanted to try it because I thought it would dry less dull than liquin does. (When oil paint dries, depending on what your mediums are, it will dry to a dull finish, so that you can’t really see the true colors/vibrancy of the paint. At which point, to continue painting, you need to “oil out” the area to restore it’s luster, which means you apply more medium to the surface.

I just found walnut oil to be too thick and slow drying. I don’t like using extra sicatives like cobalt dryer to speed up the drying. I’m not a health nut, but it just smells so “chemically” like it will do real harm to your brain. Now that I’ve gone back to liquin for the Chihuahua piece I’m working on, I feel like I’ve been reunited with an old friend! It’s so light and thin and quick drying, and when it’s dry it’s not tacky, so it won’t attract additional dust.

Working full time and painting at night, I need to be able to paint any time I sit down at my easel. And since I’m tired from working all day, if I have ANYTHING to deter me, it will encourage me to be in bed by 10 and I’ll never get anything done! It was good to try something new — I used it for a few paintings, but as of now, I’m officially back to liquin. Although I might try linseed oil again in the future. Matt tells me to try it again (I used it when I first started oil painting in high school). He likes it. We’ll see. Experimenting is always good. But I want to enjoy working with liquin for a while.

Anyway, Wilhelmina will be going to IX10 in October and will be available for sale there.

And now to work on some sketches for a while and off to bed. Have a great weekend!